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But most people have lived many different places over the course of their lives. Classifying your book into a single genre often poses a similar conundrum. And before you query an agent, you must understand how the publishing world will view your product. You will experience no genre angst. And take comfort by reading through the following genre descriptions, which are intended to quell genre angst. The stories are usually fun, down-to-earth, quirky, and entertaining—a good beach read. Similar to romance, the central conflict of chick lit often includes love and relationships; however, unlike romance, it is rarely rooted in pure fantastical romantic gratification. Over the past several years, the publishing industry has seen an over-saturation of the chick lit market to the point of giving the term "chick lit" a bad wrap. Commercial fiction uses high-concept hooks and compelling plots to give it a wide, mainstream appeal. Like literary fiction, the writing style in commercial fiction is elevated beyond generic mainstream fiction. But unlike literary fiction, commercial fiction maintains a strong narrative storyline as its central goal, rather than the development of enviable prose or internal character conflicts. Commercial fiction is not the same as "mainstream" or "mass market" fiction, which are both umbrella terms that refer to genre fiction like science fiction, fantasy, romance, mystery, and some thrillers. Crime fiction centers its plot on the perpetration of a crime. There are two main subgenres of crime fiction: True crime focuses its story on the crime scene and the criminal mind. Lurid crime scenes, graphic violence, con games, organized crime, and the criminal underworld are all familiar elements in true crime fiction. Detective fiction, on the other hand, focuses its narrative on the professional or amateur investigators seeking to solve the crime and bring the criminal to justice. Sub-genres of detective fiction include hard-boiled, noir, and police procedurals. Fantasy uses imaginary worlds and mystical creatures within its storyline. Familiar characters of fables and mythology such as princes and princesses, knights, dragons, giants, faeries, goblins, gnomes, wizards, and witches often show up in this genre. Magic, spells, swords and sorcery, supernatural powers, talking animals, and fanciful kingdoms are welcomed stereotypes. Common fantasy themes include quest for precious objects, rescuing damsels in distress, and battles against discernable good and evil. Unlike science fiction, fantasy is rooted in make-believe rather than science; its only limitations are the expectations and preconceived notions of its dedicated readership. Fantasy subgenres include modern, historical, mythological, epic, urban, alternate and parallel worlds, dark fantasy, and graphic novels. Historical fiction is often a work of literary fiction or commercial fiction in which the plot and story transpire during a distinct era in the past. True historical fiction portrays conflicts and characters that depended on a particular time period for their existence Civil War battles and heroes, slave trade in colonial America, 18th-century British royalty, s civil right leaders, etc. Historical fiction is a careful balance between fact and fiction; and although characters and events may be exaggerated or completely made up for the sake of a good story, accurate historical facts and details lend credence and legitimacy to the overall tale. Although literary or commercial fiction often incorporates historical elements into their stories for atmospheric effect, this is not the same as historical fiction, which uses historical settings and time periods to establish its core conflicts. Horror fiction has one inelucable goal: Its chilling pendulum swings with a broad arc, and uses a wide range of techniques to terrify and titillate its audience. From extreme blood and guts, graphic violence, murder and mayhem to psychological suspense, criminal underworlds, supernatural folklore, erotica, and surrealism, horror often portrays the base, subversive side of its fictional world. The problem is not defining horror, but defining the manner in which it engenders fear in the hearts and minds of its readers. Subgenres include dark fiction, dark fantasy, cutting edge, erotic, extreme, occult, vampire, gothic, psychological, supernatural, paranormal, pulp—the list goes on, illustrating the innumerable and imaginative ways that horror explores the unspeakable. Unlike traditional thrillers and suspense, which are based in reality, horror often uses folklore and fantasy to create manifestations of evil, death, and destruction. Literary fiction explores inherent conflicts of the human condition through stellar writing. Pacing, plot, and commercial appeal are secondary to the development of story through first-class prose. Multi-layered themes, descriptive narration, and three-dimensional characterization distinguish this genre from all others. Literary fiction often experiments with traditional structure, narrative voice, multi-POVs, and storylines to achieve an elevated sense of artistry. Although some literary fiction can become "commercial" by transcending its niche market and appealing to a broader audience, this is not the same as commercial fiction, which at its core has a commerical, marketable hook, plot, and storyline—all developed through literary prose. Literary fiction often merges with other fiction types to create hybrid genres such as literary thrillers, mysteries, historicals, epics, and family sagas. Multi-Cultural Multi-cultural can be a tricky genre to simply pin down because it can mean different things to different literary agents and publishers. Most insiders will agree that multi-cultural fiction is a code word for books that possess racial and ethnic diversity within the depiction of its characters, cultures, and conflicts. This includes African-American and Latino fiction. In addition, books characterized as multi-cultural often fall under the broader genre umbrella of commercial fiction, romance, chick lit or literary fiction. Mysteries typically focus on the process of solving a crime, rather than the details of the crime itself. The puzzle behind the crime is central to the plot. Amateurs or professional investigators perform the sleuthing, and often a single protagonists or a whole host of characters recur in popular serial titles. Subgenres include cozies, historicals, culinary, detective, supernatural, caper, women in peril, noir, detective fiction, and classic whodunits. Romance is a specific fiction genre in which the central conflict revolves around the love story between a man and a woman. The settings are often exotic. The characters are regal and glamorous. And the ensuing story is inevitably dramatic—even melodramatic. Furthermore, writing style aids the passion of the climactic conflicts and events, and catapults the reader through a gratifying romantic fantasy. And a happily ever-after ending is requisite. There are specific publishing houses dedicated to the publication of this genre, as well as agents who specialize in the sale of these novels. Subgenres include contemporary, suspense, time-travel, futuristic, paranormal, Western, historical, regency, and gothic romance. Science fiction incorporates various types of science into its story, settings, characters and the challenges that they must overcome. Scientific details, facts, and rules are either adhered to or broken, but either way, they contribute to the contextual storyline as well as the world created within the novel. Science becomes a character itself. However, it is true that science fiction often stretches the bounds of known scientific laws and discoveries, and thus, science fiction sometimes incorporates both science and fantasy into its fictional world. For this reason, they are often paired together as a single genre. The stakes are often large—death and destruction to lives, the downfall of an entire nation, an ecological disaster. However, thrillers can also simply portray riveting psychological tension between two opposing characters. Thrillers and suspense fiction are paired together because thrillers often utilize suspense elements in the development of the story—evil lurking just around the corner that motivates the protagonist to hunt down and capture the villain-at-large. Subgenres include psychological, supernatural, military, espionage, political, medical, legal, erotic and literary thrillers. However, it is not the same as chick lit or romance. Its characters are often women attempting to overcome both personal and external adversity.
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